KENTUCKIANA SUBLIME:
HARLAN HUBBARD AND NEW PERSPECTIVES ON NATURE
March 14 - June 9, 2013
Brown-Forman Gallery, Third Floor
Installation View
Installation View

Kentuckiana Sublime: Harlan Hubbard and New Perspectives on Nature

Installation View
Installation View

Kentuckiana Sublime: Harlan Hubbard and New Perspectives on Nature

Installation View
Installation View

Kentuckiana Sublime: Harlan Hubbard and New Perspectives on Nature

Installation View
Installation View

Kentuckiana Sublime: Harlan Hubbard and New Perspectives on Nature

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Curated by: Jessica K. Whitehead

 

“It was a thrill…to  feel the life of the river. We became part of it, like the driftwood.” Harlan Hubbard, The Shantyboat Journals

 

In 18th and 19th century Europe, overrun with Romantic frenzy, artists and writers had created a new buzzword in the art historical community: the sublime. The word was intended to describe the transcendence of communing with nature—recognizing its overwhelming strength and power over the diminutive human race—and to communicate the consuming fear and awe a person might feel when confronted with lightning, mountains, oceans and rivers.

 

But propelled by a propensity for optimism and the ethos of Manifest Destiny, the term came to mean something quite different across the Atlantic in America.

 

In the tradition of naturalists like Thoreau, Muir and Abbey, Kentuckian Harlan Hubbard began to live a life of communing with nature, not fearing it. Harlan and his wife Anna became new prophets of environmentalism and sustainability, and made it their concerted mission to fully explore the symbiotic relationship of humans to the natural world.

 

The pieces in this exhibition represent a selection of Hubbard’s paintings and writings that explores his complex relationship with nature. Each piece shows a unique aspect of his naturalistic philosophies, beginning with his beloved Ohio, and extending to the towns, people and technology of the 20th century Midwest. Scenes from the recent documentary by Morgan Atkinson, Wonder: The Lives of Anna and Harlan Hubbard, will also be featured.

 

Out of his world, filled with makeshift boats, homegrown vegetables and handmade comforts, Harlan Hubbard rose as one of Kentuckiana’s premiere artists, writers and naturalists. A steward, but never a servant, Harlan lived like the river itself: always changing and evolving, slowly and respectfully carving its impression through the Kentucky hills. Hallmarked by respect, not fear, Harlan captured the American idea of the sublime and made it his own; his art communicates the spirit and majesty of Kentuckiana.

Related Events
  • Curator Talk with Jessica K. Whitehead. June 8, 1 - 2:30pm

 

Selected Pieces

Campbell County Hill Farm
Campbell County Hill Farm

25 x 30 1933 Oil on canvas laid on board Courtesy of Anne Ogden and Boyce Martin

Campbell County Farmhouse
Campbell County Farmhouse

3 ¾ x 5 Date unknown Woodcut on paper Courtesy of Bill and Flo Caddell

Brent in Winter
Brent in Winter

Approximately 16 ½ x 18 ½ Date unknown Oil on particle board, hand-made frame Courtesy of Hanover College Greiner Art Collection

Returning from the Woods: Goats...
Returning from the Woods: Goats...

5 ¼ x 7 1/8 Date unknown Oil on plywood Courtesy of Hanover College Greiner Art Collection Returning from the Woods: Goats on a Sunny Hillside

Untitled (Belle of Louisville)
Untitled (Belle of Louisville)

23 ¾ x 37 ¼ Date unknown Oil on particle board Courtesy of Hanover College Greiner Art Collection

Towboat St. Lane
Towboat St. Lane

19 ¾ x 26 Circa 1983 Oil on particle board, hand-made frame Courtesy of Hanover College Greiner Art Collection

Untitled (Power Lines)
Untitled (Power Lines)

15 ¾ x 16 ¾ 1980-1985 Oil on particle board Courtesy of Bill and Flo Caddell

Packet Tacoma
Packet Tacoma

15 ¼ x 25 Circa 1976 Watercolor on paper with pen and ink detail Courtesy of Hanover College Greiner Art Collection

Sketch
Sketch

15 ½ x 18 Date unknown Oil on particle board, hand-made frame Courtesy of Hanover College Greiner Art Collection