top of page
INTO THE MIX
February 4 - April 14, 2012 
Steve Wilson Gallery, First Floor
Al Shands and Bill and Lindy Street Galleries, Second Floor
 

Curated by: Aldy Milliken

 

Into the Mix presented a conversation about how materiality addresses the complexities of cultural stereotypes in an exhibition which featured 10 Caribbean artists.  Their artwork took on new meanings in a context where cultural history is influenced by outside migrating populations, colonial governments, tourists and the popular culture machine. In many societies, craft and hand-worked items help establish a culture of self-worth in the minds of the local population. The creation of these objects is influenced by the economic opportunity presented through tourism, yet souvenirs represent the visitors interests and are taken out of context.

What is cultural authenticity and who decides what is truly a significant representation of a culture? It is up to contemporary artists and artisans to communicate their intentions and shape the framework in which their work is perceived. The Museum explored ideas from a variety of perspectives that described historical, conceptual, and aesthetic nature of the art works as singular vignettes not as sweeping generalizations.

Furthering the conversation of what is culturally authentic, this exhibition reveals how disparate artists from the Caribbean connect with each other in a virtual world that has no boundaries. Through E-Catalogues by Draconian Switch and Richard Rawlins the show develooped written texts with the artists, blog comments, and included pictures from reviews, interventions, happenings, and discussions in Louisville and other regions of the world during the 10 weeks.

 

That matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolization of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.
-Nicolas Bourriaud, French curator/critic

 

Artists

Janine Antoni
Christopher Cozier
Blue Curry
Carlos Gamez de Francisco
Marlon Griffith
Sofia Maldonado
Wendy Nanan
Ebony G. Patterson
Sheena Rose
Heino Schmid

Selected Pieces

STREET ADDRESS

715 West Main Street

Louisville, Kentucky 40202

502.589.0102

MUSEUM OPERATING HOURS

Tuesday - Sunday 10AM - 5PM

Monday CLOSED

Admission to KMAC is free for students and

children thanks to the generous support of our donors .

KMAC is also supported in part by our members,

The Fund for the Arts, and the Kentucky Arts Council.

 

KMAC celebrates diversity and is committed to intentional, on-going work that fosters equity and facilitates accessibility. KMAC is deeply committed to providing art experiences for everyone. KMAC exists to spark curiosity, inspire meaningful  connections, and foster a deep sense of inclusion, belonging, and purpose that ripples beyond the museum’s walls.

  • Facebook
  • Instagram
  • TikTok
  • Twitter
  • YouTube
  • TripAdvisor - Black Circle
  • Yelp - Black Circle

© 2023 KMAC Museum, Inc.

bottom of page